By Werner Jaeger
Werner Jaeger's vintage three-volume paintings, initially released in 1939, is now on hand in paperback. Paideia, the shaping of Greek personality via a union of civilization, culture, literature, and philosophy is the foundation for Jaeger's review of Hellenic culture.Volume I describes the basis, progress, and problem of Greek tradition throughout the archaic and classical epochs, finishing with the cave in of the Athenian empire. the second one and 3rd volumes of the paintings take care of the highbrow heritage of historical Greece within the Age of Plato, the 4th century B.C.--the age within which Greece misplaced every thing that's valued during this world--state, energy, liberty--but nonetheless clung to the concept that of paideia. As its final nice poet, Menander summarized the first position of this excellent in Greek tradition whilst he acknowledged: "The ownership which nobody can remove from guy is paideia."
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Werner Jaeger's vintage three-volume paintings, initially released in 1939, is now on hand in paperback. Paideia, the shaping of Greek personality via a union of civilization, culture, literature, and philosophy is the foundation for Jaeger's review of Hellenic tradition. quantity I describes the root, progress, and predicament of Greek tradition in the course of the archaic and classical epochs, finishing with the cave in of the Athenian empire.
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Additional info for Paideia: The Ideals of Greek Culture - Vol I: Archaic Greece - The Mind of Athens
He married a woman from a noble rather than an especially rich family,* because he believed that while dignity and assurance may be attributes equally of well-born or wealthy women, these from noble families are more likely to obey their husbands precepts about virtue, since they detest disgrace. He used to say that anyone who hit his wife or child was laying hands on the most sacred of objects, and a man gained more credit in his view for being a good husband than an important senator. He even used to say that the only thing he found impressive about Socrates from the old days was that he constantly treated his difficult wife and idiot sons with decency and civility.
All the young Roman intellectuals immediately rushed to meet them, and became their admiring followers. Carneades was highly charismatic, no less impressive in reality than in reputation, and it was he in particular who won large and sympathetic audiences. Like a wind, his presence filled the city with noise, as the word spread about a Greek with an extraordinary ability to amaze his audiences. People spoke of how nothing could resist his charm and his authority, and said that he had instilled in the young men of the city a fierce passion which caused them to banish all their other pleasures and pastimes, and succumb to love of knowledge.
In the course of trying to turn his son against Greek ways, he uses a tone of voice that is too presumptuous for an old man when he predicts, in an almost oracular fashion, that Rome will be destroyed when it has become infected by Greek learning. But now we can see that this slander of his is hollow, since we live at a time when Rome is at a pinnacle of political success and has appropriated Greek learning and culture. As well as hating Greek philosophers, he was suspicious of those Greeks who practised medicine in Rome.