By Dharma Mittra
A useful source for the start, intermediate, or complex yoga practitioner, this publication comprises black-and-white photos of 608 separate yoga postures from the well-known yogi, Dharma Mittra.
In 1974, the mythical "teacher of teachers" yogi Dharma Mittra photographed himself in 908 yoga postures. He published each one photograph as an eight x 10 and pasted them jointly to shape a poster, growing the last word Yoga Chart as a present for his instructor, Swami Kailashananda (Yogi Gupta). Asanas collects 608 of these black-and-white images, each one observed via the English identify of the pose and the Sanskrit characters, short statement, and particular mixtures for Vinyasa, Ashtanga, and Iyengar perform. There are feedback for starting, intermediate, and complex yoga practitioners, in addition to a listing of poses invaluable for specific illnesses and chakra relationships. since it builds on easy postures, Asanas will attract scholars of any of the a hundred yoga styles.
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Harimāṇaṃca nāśaya 5. Sukeṣume harimāṇaṃ 6. Ropaṇākāsu dadhmasi 7. Atho hāridraveṣume 8. Harimāṇaṃ ni dadhmasi 9. Udaghādayamādityo 10. Viśvena sahasā saha 53 11. Dviṣantaṃ mahyaṃ randhyan 12. Mo aham dviṣate radham 54 Part 3 Laukika Mantra 1. Om Mitraaya Namaha (Salutations to the Friend of All) 2. Om Ravaye Namaha (Salutations to the Shining One) 3. Om Suryaaya Namaha (Salutations to he who induces activity ) 4. Om Bhaanve Namaha (Salutations to he who illumines) 5. Om khagaaya Namaha - Salutations to one who moves through the sky 6.
I loved Ramaswami's response. He didn't say his way was right, the proper way, the only true 61 way and back it up with an anatomical or physiological argument but rather that it was just the way his teacher, Krishnamacharya, had taught him, that he had tried the other ways himself but found he felt more comfortable with the way he had been taught. Later I managed to see Krishnamacharya book, the Yogasanagalu and there he is in several pictures just as Ramaswami had taught the posture to us along with everything else..
Then I'll do some hand variations, again similar to the on your feet sequence, just getting a feel for that starting position from which several of the subroutines will develop. I don't know of Ramaswami teaching this but it seems in keeping with his approach. Take a moment perhaps in all the stithi postures to the different sequences, asymmetric, seated, lotus, like an old Zen monk getting comfortable on his zafu. As with the sideways bends and twisting in the On your feet subroutines, paying attention to the feet is important in triangle.