An Encyclopedia of South Carolina Jazz and Blues Musicians by Benjamin Franklin V

By Benjamin Franklin V

Энциклопедия джазовых и блюзовых музыкантов Южной Каролины от XIX века до современности, включая не только таких звёзд, как James Brown и Dizzy Gillespie, но и забытых музыкантов. In An Encyclopedia of South Carolina Jazz and Blues Musicians, Benjamin Franklin V records the careers of South Carolina jazz and blues musicians from the 19th century to the current. The musicians variety from the well known (James Brown, Dizzy Gillespie), to the awesome (Freddie eco-friendly, Josh White), to the principally forgotten (Fud Livingston, Josie Miles),to the imprecise (Lottie Frost Hightower, Horace Spoons Williams), to the unknown (Vince Arnold, Johnny Wilson). prepared alphabetically, from Johnny Acey to Webster younger, the books entries contain uncomplicated biographical details, South Carolina apartments, profession info, compositions, recordings as leaders and as band contributors, movies, awards, sites, and lists of assets for extra interpreting.

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F, p. ) Post and Courier, 15 April 2004, sec. F, p. ) Post and Courier, 10 March 2005, sec. F, p. ) Post and Courier, 21 December 2006, sec. E, p. 4 (comments by Barbour); T. oid =4016949 (15 February 2012; accessed 21 May 2014). C. residences: Cordesville (1910–no later than 1919), Charleston (by 1919–1932) A ward of Jenkins Orphanage beginning in 1919, Bash played in its bands from ca. 1926 into 1932, even though he had been discharged from the school in 1930. C. in 1928, and played with the Carolina Cotton Pickers during the 1930s.

He went on to perform on television with some frequency, including over twenty times on a popular program hosted by Ed Sullivan. , he opened the Peg Leg Bates Country Club, which attracted a black clientele; with this enterprise he possibly became the first black resort owner in the United States. , civic life and ca. 1960 was president of Buster Entertainment Enterprise. 18 | Baxter, Quentin E. He was responsible for some of the dance steps of the vocal group the Temptations. Bates performed in Tappin’ Uptown in 1982 and The Joint Is Jumpin’ in 1995.

At a Harlem church in 1964 he met seventeen-yearold Valerie Simpson, with whom he soon began writing songs, sometimes in collaboration with Josephine Armstead, including on “Let’s Go Get Stoned,” which became a hit for Ray Charles. As a result of their early work Ashford and Simpson affiliated with Motown Records in 1966. C. residence: Anderson (before and probably after 1895) Arnold was valued so highly in 1895 that an anonymous writer mentioned him as a standard to which young black fiddlers could only aspire.

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