Advanced Photoshop Elements 7 for Digital Photographers by Philip Andrews

By Philip Andrews

This crucial consultant for intermediate/advanced photographers has now been absolutely up to date for parts 7. Bestselling writer and components guru Philip Andrews turns his expansive wisdom to this robust software, providing, once more, a pragmatic process in a crystal-clear writing sort. For the complicated components person, this e-book deals a standalone consultant to advancing wisdom of the software program. For people with rather less adventure, it really works seamlessly along with Philips different parts advisor: «Adobe Photoshop components 7: a visible advent to electronic photography». Philip expands at the stable origin brought via that identify to convey a master-guide that exhibits you simply how robust this deceptively easy software program package deal should be.

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For most shooters this isn’t an issue but if you like to photograph sports or action, then the extra time taken to compress the file will reduce the frames per second rate of your camera. In practice most Raw shooters opt for non-compressed files and just buy more memory cards to accommodate the larger file sizes that need to be saved. Raw file size CAPTURE FILE SIZE COMPARISONS JPEG file size JPEG file size JPEG file size (Fine setting) (Normal setting) (Basic setting) Example file 1 2997 Kb 1555 Kb 782 Kb 17708 Kb 9777 Kb 5093 Kb Example file 2 2466 Kb 1575 Kb 748 Kb 17712 Kb 4275 Kb TIFF file size Raw file size 9776 Kb (compressed) Capture format versus file size >> The capture format you select directly affects not only the way the file is saved and its visual quality but also the size of the final file.

The plugin offers more control over the color regeneration process by providing slider adjustments for the red–cyan, green– magenta and blue–yellow tints. Digital ROC for cameras >> The ROC and GEM components of the Digital ICE suite are also available as plug-ins for Photoshop Elements, providing grain reduction and color balancing options for camera-based images. 20 Scanning workflow Making sure that your negatives/ prints are clean before scanning can save a lot of time spent removing marks from the picture later.

Solution: Clean the glass plate and photograph carefully before placing and scanning your picture. If you still have marks use a retouching tool to remove them (see the Eliminating blemishes technique in Chapter 8 for more details). 2. Color picture appears black and white Problem: After scanning a color picture it appears black and white on screen. Cause: The ‘original’ or ‘media’ option in the scanner software is set to black and white and not color. Solution: Re-scan the picture making sure that the software is set to color original or color photograph.

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