Adobe Creative Suite Keyboard Shortcuts by Guy Hart-Davis
By Guy Hart-Davis
This transportable how-to consultant offers you that speedy on-the-job educational that would prevent time, simplify your keystrokes, and decrease mouse tension, resulting in elevated potency whereas operating within the complete Adobe artistic Suite together with Acrobat, Photoshop, and Illustrator. writer, Hart-Davis, not just publications you thru built in keyboard shortcuts, but in addition teaches tips to customise shortcuts utilizing customized utilities.
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Additional resources for Adobe Creative Suite Keyboard Shortcuts
When using Aperture, if you want to open an image in Photoshop, it’s just a keystroke away. The image will open in Photoshop, and you can make the desired changes. When you’re done, you click Save, and Aperture will automatically update the image preview to reflect the changes you made in Photoshop. You can save all your layers when you work in Photoshop, and although the individual layers are not accessible from within Aperture, if you reopen that same file in Photoshop, all the layers will still be there.
If you shot the image in RAW, you can easily correct this during the conversion process; but if you shot it in JPEG, a mistake like this could ruin the image. 19 The white balance here was accidentally set to Tungsten. A mistake like this can be deadly if the image is shot in JPEG. But if you’ve ever gotten up before dawn to go out and photograph in the beautiful, warm, early morning light, you know that we nature photographers aren’t always seeking to make neutrally colored images! 20. qxd 4/1/07 2:38 PM Page 25 to shoot in raw mode; we don’t have to make a final decision about the white balance until we’re converting the image, whereas with JPEG mode, the white balance is “baked” into the image.
First, it maximizes the s/n ratio. Second, it minimizes the posterization and noise that potentially occurs in the darker regions of the image. Please be aware, though, that for proper results you need to make these corrections while working in 16-bit (12-bit) mode in a raw converter. Unlike what some people think, in RAW mode, the camera is not doing any nonlinear processing. All nonlinear processing takes place in the raw converter. This is why if you’re going to try this trick, you must shoot in RAW and then manually readjust the image in the raw converter before exporting the file into Photoshop.