A Concept of Dramatic Genre and the Comedy of a New Type: by Vera Zubarev(aka Ulea) PhD

By Vera Zubarev(aka Ulea) PhD

Employing platforms concept to the comedies of Chekhov, Balzac, Kleist, Moliere, and Shakespeare, an idea of Dramatic style and the Comedy of a brand new sort: Chess, Literature, and movie methods dramatic style from the viewpoint of the measure of richness and energy of a character’s capability. Its major concentration is to set up a technique for studying the aptitude from multidimensional views, utilizing platforms pondering. the full inspiration is an alternative choice to the Aristotelian plot-based process and is utilized to an research of western and jap ecu authors in addition to modern American film.           This cutting edge examine includes 3 components: the 1st half is generally theoretical, presenting a brand new definition of the dramatic as a class associated with common structures phenomena and supplying a brand new type of dramatic style. within the moment half, Ulea bargains a textual research of a few works in line with this new type. She analyzes comedies, tragedies, and dramas at the comparable or related issues with a purpose to show what makes them belong to contrary different types of dramatic genre.  Additionally, she considers the query of destiny and likelihood, with reference to tragedy and comedy, from the perspective of the predispositioning concept. within the 3rd half, Ulea explores an research of the comedy of a brand new type—CNT.  Her emphasis is at the integration of the half and the total in forthcoming the protagonist’s strength. She introduces the time period quasi-strong capability in an effort to exhibit the illusory energy of protagonists of the CNT and to teach the means of CNT’s research and synthesis.            Ulea’s learn starts with the thought of the comedian, normally thought of synonymous with the laughable, and makes an attempt to procedure it as self reliant from the laughable and laughter. the need to achieve this is dictated via the need to penetrate the enigmatic nature of Chekhov’s comedy. the result's an idea of Dramatic style and the Comedy of a brand new sort: Chess, Literature, and picture, a very new method of capability and platforms thinking—which hasn't ever been a spotlight of dramatic concept ahead of. Such power is the touchstone of the comedian and comedy, their everlasting uncomplicated attribute, the center and axis round which the comedic international spins.

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The theory of dramatic genre (based on the assumption that it is synonymous with dramaturgy) has been primarily occupied with the differences between tragedy and comedy, rarely searching for the isomorphic structure of all types of dramatic genre. 4 The founder of general systems theory, Ludwig von Bertalanffy, writes: Thus, there exist models, principles, and laws that apply to generalized systems or their subclasses, irrespective of their particular kind, the nature of their component elements, and the relations or “forces” between them.

The remark that he “scoffed terribly at softness in anyone” only highlights to what extent this character is vulnerable. His guardianship of two young artists further implies that he is a caring person with moral values. Besides, his desire to create a masterpiece and mention of Michelangelo and Moses may suggest that his ideals are global and sublime, but as a nervous kind, he finds his inspiration by scandalizing the public. Thus, we have a set of all parameters, both material and relational, that are controversial.

As Katsenelinboigen states, entities consist of initial and dual parameters necessary for explicitly measuring the power of their impact on a system’s development. In analyzing any entity we distinguish both, as the initial objects (parameters), that is, elements, as the initial relations (parameters) between these elements. . The initial parameters necessarily include those that make up the anatomy and the physiology of the system. We shall refer to them as essentials. The initial parameters may also contain the relations between elements; the concept of relations requires separate treatment.

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